![]() ![]() Works at just about any tempo from medium to fast. Plenty of room for solos with options for backgrounds. Here's the chart needed to round out a concert. South Carolina Blue Law (Level III) I often joke about the law that requires a jazz band to play at least one blues tune per concert (in F or Bb), in order for it to officially be a jazz concert. | Click here to see the first page of this score.| Recorded by the University of Missouri Concert Jazz Band, Byron Stripling, and Bob Sheppard on HOME (MIzzou Jazz Studies). Optional, yet highly recommended, parts for vibes and guitar. Transposed solo changes are included for anyone to solo over, and the opening shout chorus is reminiscent of Thad Jones’s writing. An Eb blues with a 16-bar bridge centered on the IV chord, this tune will make you want to dance! | Click here to see a page of this chart.|īump and Grind (Level IV) is a heavy swinging chart that can be played as a Mel Lewis-style shuffle or as a straight-ahead swinger. Usually one (1) copy for one (1) ensemble. #Finely home by ben markly download#This download is intended for use by the purchaser only. Use of the music, any data or image or access to the music. No woodwind doubles.īy purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, It features Alto Saxophone 1, Trumpet 2, and Drums.įUN makes an outstanding concert opener or closer for mature bands. This up-tempo Bb blues was commissioned by the USAF Rhythm in Blue jazz ensemble, Langley AFB, VA. Lot’s of solo opportunities.įun (9 Brass) (Level 4) Composed by Nat Adderley, Arranged by Eric Richards The tune features a burning two chorus sax soli and a shout chorus that features drums. (Level III) A medium swinging blues in the style of Sammy Nestico. |Click here to see a page of this score|. It is against copyright law to distribute. #Finely home by ben markly pdf#PDF downloads are intended to be printed 1x by the consumer. ![]() This slow 16-barīlues will challenge the band with the complex textures, but holds together inīy purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. Piano chair, with blowing time given to the bass as well. The style of many great blues charts, the piece predominantly features the Gabe Evens, this was recorded originally by the One O’Clock Lab Band. 9 Brass (Level IV) In another greasy Thaddian tribute, Drew Zaremba penned Blues for Gabe in 2015, which won him recognition as a JEN Young Composer awardĪs well as an ASCAP Young Composer honorable mention. ![]()
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